Pentax K200D vs Sony A200 / A300; Weather resist SLR vs. Live-View

In comparison with newest entry-level Digital SLR cameras such as the Nikon D60, the Sony A200, the Olympus E420 and old-fashion Canon Rebel Xti, the new Pentax K200D looks quite good. After Pentax K100D / K100 Super, this solidly constructed SLR camera with weather and dust resistant body can impress even advanced photographers, who are interested in serious cameras as the Canon EOS450 / Rebel Xsi or the Sony A300 / A350.
The Pentax K200 as a step-up of entry-level SLR
Sure, the Pentax K200D is strep of some cool features such as the Live-View mode (Olympus E420, Sony A300) and its ability for using AA batteries is a little questionable. However, the combination of high-speed aperture, in-body stabilization system, waterproof body ( it's a really cool feature, especially for my Sauna-blog), and low-noise high ISO means me much interesting that the Live View LCD, which only enables photographers to hold the camera away from their faces. Although the K200D designed mainly for family users and beginners, this SLR has a host of useful features and functions like any higher-class models.
Pentax K200D main features
- Shake Reduction feature incorporating a 10.2 megapixel CCD is compatible with any Pentax lens ever produced, including SDM lenses, minimizes the effect of camera shake
- Auto Picture and Scene modes offer shooting ease, while advanced modes, such as the Sv mode, allow photographers to grow with the camera
- 2.7 inch high resolution, wide view LCD panel allows easy review of pictures, while including enlarged menu lettering
- Weather and dust resistant body allows you to keep shooting even in harsh conditions
- Includes long life Energizer AA Lithium batteries for the perfect combination of long life and easy to find replacements
- Advanced 16-segment metering and 11-point AF, with 9 cross sensors, ensure perfectly exposed and focused images
- PRIME (PENTAX Real Image Engine) image processing engine maximizes image properties and allows custom adjustment of image parameters
- Custom Image modes, with six preset options, offer superior control of how the PRIME processor develops images
- Enhanced Dynamic Range mode gives 200% more dynamic range
Optical Image Stabilizer
As in case of the Sony A200 (for more look at the previous post) and Olympus E510 / E420, main improvements comparing to previous Pentax K100 is in-body optical stabilization system. For more details about Olympus's SLRs look at Olympus SLRs: E330, E400, E410, E500 and E510. Can pop-cams fight vs. Nikon D80 or Canon XTi?. Pentax is using sensor shift stabilization (where the sensor is moving-shifting to compensate the movement of camera body) what means that you do not need an optically stabilized lens and can use any lenses you want. This mechanism shifts the position of the CCD image sensor vertically and horizontally at high speed using magnetic force, while adjusting the shifting speed in proportion to the amount of camera shake detected by a built-in sensor. It offers a compensation effect, equivalent to approximately 2.5 to 4 shutter-speed steps. Sure, the Pentax lens collection is not as big as Nikkor and Canon. In addition, its quality is an excellent and you can get more than enough from Pentax and do not look at some manufacturers as Sigma and Tamron.
Pentax K200D specifications
- Interline interlace CCD with primary color filter and integrated Shake/Dust Reduction sensor movement system; Size - 23.5 x 15.7mm; Color depth - 8 bits/channel JPG, 12 bits/channel RAW; Effective pixels - 10.2 MP; Total pixels - 10.75 MP; Recorded resolutions - 3872x2592 (10M), 3008x2000 (6M), 1824x1216 (2M) Quality levels: Best, Better, Good; Dust removal - Image sensor movement combined with SP coating
- Body-based, sensor shift Shake Reduction image stabilizer system - max 4 stops
- Pentax KAF2 bayonet stainless steel mount; Usable lenses - Pentax KAF2, KAF, and KA (K mount, 35mm screw mount, 645/67 med formats useable w/ adapter and/or restrictions)
- TTL phase-matching 11 point wide auto focus system, Focus modes - AF Single (w/focus lock), Manual, AF Continuous available in Action mode (including Auto Pict Action), Kids mode, Pet mode, P/A/S/M/B/Sv; Focus point adjustment - Auto, User-Selectable, Center; AF assist, via built-in flash
- Penta-Mirror viewfinder; Coverage (field of view) - 96%, Magnification - 0.85x (w/ 50mm f/1.4 at infinity), Standard focusing screen - Natural-Bright-Matte II, Diopter adjustment - -2.5 to 1.5, Depth of field preview - Optical diaphragm stop down, Digital
- 2.7” TFT colors LCD monitor, adjustable brightness, 230,000 pixel; wide angle viewable, approx 160 degrees horizontal/vertical
- Continuous Drive at 2.8 fps, up to 4 JPEG, 1.1 fps, RAW
- Retractable P-TTL popup flash, Guide number - 13 (100/m), Coverage - 28mm wide angle (equivalent to 35mm), Flash modes – TBA, Flash exposure compensation -2 to 1 EV in 1/2 steps
- Removable memory - SD, SDHC
- USB 2.0 hi-speed, DC input, cable switch, Video out - NTSC, PAL, Printer interfaces – PictBridge
- 4 AA (lithium, alkaline, NiMH rechargeable), Recordable images - Approx 1100 w/lithium (approx 550 w/ 50% flash use), Playback time - Approx 700 min; optional AC adapter
- ISO Sensitivity: Auto - 100-1600 ISO (1, 1/2, 1/3 steps), Manual - 100-1600 ISO (1, 1/2, 1/3 steps)
- TTL open aperture, 16 segment metering; Sensitivity range - EV 0-21 (ISO 100, 50mm f/1.4); Multi-segment, 16 segments; Center weighted, Spot, Exposure compensation - +/- 2 EV (1/2 or 1/3 steps); Exposure lock, Exposure bracketing, 3 frames, up to +/- 1.5 (1/2 steps) or +/- 1.0 (1/3 steps)
- Electronically controlled, vertical run, focal plane shutter; Shutter speed - 1/4000 to 30 sec, bulb available
- File Formats: RAW PEF/DNG, JPG (EXIF 2.21), DCF 2.0 (design rule for camera file system), DPOF, and Print Image Matching III
- Weight (inc. batteries) 690g - 24.3 oz w/lithium batteries (25.6 oz w/alkaline batteries), 22.2 oz without battery
- Dimensions 134 x 95 x 74 mm (5.3 x 3.7 x 2.9 in)
- Construction material - Reinforced plastic polymer shell around a rugged stainless steel chassis, operating temperature - 32-104 degrees F
Pentax K200D pros and cons
The same as the Pentax K10D an excellent weatherproof construction body with some features and great image quality makes the Pentax K200D very attractive for advanced users. However, its weight and dimensions give the best fit for next-level digital SLR cameras. In comparison with the Nikon D60 (522 g), Sony A200 (572 g) and Olympus E420 (440 g), the K200D with its 690 g body is not so good for family shooting. Moreover, for sport shooting where you need a fast frame rate and a long Tele lens, you should consider a speedy camera. However, for those who need an excellent picture quality the Pentax K200D is a right choice.
Pros:
- Goog and solid build quality, feels more expensive than any entry-level SLR
- Excellent image quality
- Good, low-noise performance at high ISO even at ISO 1600
- Weather sealed body
- Good 18-55mm Kit lens
- Very effective in-body image stabilization system
Cons:
- Small buffer at 2.8 fps, up to 4 JPEG, 1.1 fps, RAW
- Not so small and lightweight as I'd like
Conclusion
Looking through the Nikon D60 ($690 with 18-55mm Lens Kit, for any details look through Nikon D60 vs. Canon Xti, Sony A200, Pentax K200 and Olympus E510), Olympus E410 / E510 / E420 ($790 with 14-42mm Lens Kit), Sony A200 ($550 with 18-70mm Lens Kit) / A300 ($950), Canon Rebel Xti ($510) / Xsi ($1130 with 18-55mm Lens Kit), and of course the Pentax K200D it’s hard to find the worst camera as well as the best. All of these SLRs have some pros and some cons. Nevertheless, small 4/3 Olympus with excellent Zuiko lenses, famous Nikon and Canon, rich of features Sony etc. have they own users and admirers. For more look at Canon EOS400/XTi, Nikon D40x and Pentax K10 pros& cons; SLR over SLR-like triple benefits. As for the Pentax K200D, this SLR ($800 with 18-55mm Lens Kit) is good for traveling through dusty or damp climate countries. For those who rate the image, construction and lens quality highly than lightweight, Live View ability and brand name.

Sony A200 vs Pentax K200 or Nikon D60 – what’s new in Sony’s SLR

This year brings some new and interesting gadgets to the entry level DSLR’s market. There are Nikon D60, Pentax K200D and Sony A200 with 10MP APS-C sensor, low image noise, very fast shutter lag numbers and any cool features such as image stabilizer system, anti-dust and even weather-sealed body (Pentax K200). As for Canon, its new Digital SLR – the EOS Digital Rebel Xsi with 12MP 22.2 x 14.8 mm CMOS sensor is a little higher to these three and it requires a special article. For more details look at Pentax K200D vs Sony A200 / A300; Weather resist SLR vs. Live-View.
Sony DSLR Alpha-200 main features
I am shooting with the Sony A100 for a long time and I felt its pros and cons on one's own back. Naturally, the appearing of Alpha 100’s upgrade version – the Sony A200 made me interest in its abilities. Let’s look around the gadget for better understanding what’s make the Alpha 200 speedy, low-noisy and much attractive than predecessor.
- Super Steady Shot in-camera image stabilization system offers from 2.5 to 3.5 stops of compensation
- Dynamic Range Optimizer: Normal DRO improves detail using standard gamma curves for fast shot-to-shot response time. Advanced DRO adjusts dynamic range area-by-area
- Bionz Image Processor
- Anti-Dust Technology
- Auto Pop-Up Flash with four main operating modes and a variable Slow-Sync function
- External, proprietary flash hot-shoe for Sony accessory flash units
- Built-in support for wireless TTL flash exposure with certain Sony flashes
- Eye-Start Auto focus System
- 9-Point Center Cross AF Sensor
- Auto and Manual focus options with Single and Continuous AF modes
- 40-segment honeycomb metering system, plus Center-Weighted and Spot metering options, with AE Lock function
- Scene Selection Modes: Portrait, Landscape, Macro, Sports, Sunset and Night Portrait/Night View situations
- RAW and JPEG file formats
- Contrast, saturation, and sharpness adjustments
- Adjustable White Balance setting with presets and a manual option, as well as a full range of Kelvin temperature settings
- Index and Slide Show Display
- High-Resolution Thumbnails for Photo TV HD Viewing
- NTSC / PAL selectable video output signal, with cable included
- Function Guide Display
- Continuous Burst Mode at three frames per second
- "Storage-Class" USB 2.0 High-Speed interface
- USB 2.0 High-Speed cable and interface software for connecting to a computer and downloading images
- DPOF (Digital Print Order Format), Exif 2.2, Print Image Matching III and PictBridge compliant
What’s new in the Sony A200
As in case of the A100, the Sony A200 has a CCD-shift Anti-Shake platform (now named Super Steady Shot), Anti-Dust technology and Bionz image processor. What for Dynamic Range Optimizer, let’s look through the Sony A-100 review:
Sony’s Dynamic Range Optimizer (DRO) analyzes the captured image data and instantly determines the best exposure and color tonality of an image before JPEG compression. Unlike software optimization of a processed image, DRO is performed in the hardware. It is the first hardware-based DRO solution with the speed required for high-speed shooting.
In comparison with the Sony A-200 review, it is hard to understand what is new.
An evolved new D-Range Optimizer helps ensure even more beautifully balanced exposures in backlit situations. In Standard mode, it optimizes brightness and contrast for the image overall, and in Advanced mode, it optimizes each area of the composition separately to bring out maximum shadow and highlight detail. The D-Range Optimizer can be used on all image formats in all metering modes.
However, there is a fact that the new Alpha 200 is speedy, easy to use and has better image quality than the A-100, especially in low light situations. The Sony A200's high ISO of 3,200 has noise and softness due to noise suppression, but in case of the A-100, I have a nasty noise at ISO 400 and higher.
Sony Alpha 200 upgraded features include:
- Wider, 2.7-inch Clear Photo LCD screen for easy playback viewing
- More compact body and an easily accessible mode dial
- Easy-to-use function menu (camera function display)
- Improved noise control for higher quality images
- Auto focus speed 1.7x faster than the A-100
- Improved predictive control performance
- Quieter shutter sound
- Automatic pop-up flash
- Battery life indicator that displays the percentage of battery life remaining so you know exactly when to recharge
Sony A200 specifications
- 23.6 x 15.8 mm Interline interlaced CCD sensor with Built-in fixed low-pass filter
- 10.8 million total and 10.2 million effective pixels
- 1.5x FOV crop
- Image size at aspect ratio 3:2 -- L size: 3872 x 2592 (10M), M size: 2896 x 1936 (5.6M), S size: 1920 x 1280 (2.5M)
- Aspect ratio 16:9 -- L size: 3872 x 2176 (8.4M), M size: 2896 x 1632 (4.7M), S size: 1920 x 1088 (2.1M)
- ISO Sensitivity: 100 to 3200
- 1/160 sec Flash X-sync
- RAW, RAW + JPEG, Fine, Standard image quality modes
- CompactFlash (Type I, Type II), Microdrive; Separately sold "Memory Stick Duo Adapter for CompactFlash Slot AD-MSCF1" is necessary for use with Memory Stick Duo / Memory Stick PRO Duo / Memory Stick PRO-HG Duo
- Long exposure Noise Reduction: On/Off selectable, available at shutter speeds longer than 1 sec., High ISO NR: On/Off selectable, available at ISO 1600 or higher
- Electronically-controlled, vertical-traverse, focal-plane shutter type
- Shutter Speed at 1/4000 to 30 sec., Bulb
- 2.7-inch 230,000 pixels Clear Photo LCD Screen
- Optional VG-B30AM vertical grip accepts up to 2x NP-FM500H batteries
- Dimensions: 5.2 x 3.7 x 2.8in (133 x 95 x 71mm)
- Weight: No battery: 532 g (1.2 lb), 625g (22 ounces) with lens, battery, and card
Sony A200 pros and cons
Sure, the new Sony A-200 makes A100’s owners envious of some its features. At the same time, there are some A-100’s pros, which the new Alpha succeeded.
Pros:
- Inexpensive price
- Compact, solid feel body
- Excellent hands grip
- Great 10.2-megapixel sensor
- Function button makes access to commonly used functions easy
- Useful menu design
- Dynamic Range Optimization works well, preserving detail in highlights and shadows
- Excellent shutter lag numbers
- Very good low light / high ISO performance
- Eye-Start Auto focus System, fast auto focus
- Auto pop-up flash great for full-auto shooters
- Super Steady Shot image stabilization system works well, allows to use cheap, non- stabilize lenses
- Fast USB transfer speed
- Excellent battery life
However, nothing is perfect and as a majority of new gadgets, the Sony A-200 has some cons too.
Cons:
- Dynamic Range Optimization works well, but slow down the camera
- The same as A-100 kit (18-70mm and 75-300mm) lenses with well-known (slightly soft in corners and in macro performance) troubles
- Pop-up flash is a little slowly
- Slow startup
- Some Auto White Balance troubles in bright light
- Really excellent Carl Zeiss lenses costs so much, seemingly better to look at Olympus
Conclusion
The new Sony DSLR A200 is a good plodder for adequate price ($700 for Kit and $900 for double: 18-70mm and 75-300mm Kit). With its advanced features, the Sony A-200 would be winning. However, Nikon contrives to shoot without noise with the same Sony’s sensor as in case of D80, D300 and D60. For more details about the Nikon D60 look through my previous post. As for lack of a focus drive in the Nikon D60, it is not a trouble. There are many special designed Nikkor lenses with motors. Of course, it needs a lot of money, but not so much. Instead, the Pentax K200D with weather-sealed body seems me very interesting, especially for journeys. As for Canon Rebel XTi / EOS400, look through: Canon EOS400/XTi, Nikon D40x and Pentax K10 pros& cons; SLR over SLR-like triple benefits. In any case, an entry level SLRs choice is wide. So be it.

Nikon D60 vs. Canon Xti, Sony A200, Pentax K200 and Olympus E510

After the Nikon D40 appearing in 2006 and its 10 megapixels latest upgrade – the Nikon D40x, the D60 is the third incarnation of Nikon's “cheap” entry-level SLR line, which replaced the first Nikon 'starter' model, the D50. Sure, this new digital SLR camera is a true Nikon with many good features. However, the fact that “Auto Focus only for AF-S or AF-I lenses” doubt whether makes D60’s users happy.
Nikon D60 vs. Canon Digital Rebel Xti, Pentax K200, Olympus E510 or Sony Alpha 200
There are a lot of not bad entry-level SLRs such as Canon EOS 400D, Sony A200 and Pentax K200D with many advantages, which can’t make the D60 beyond comparison. The latest Alpha digital SLR from Sony, the A200 has a ten-megapixel APS size CCD (from Sony), Super SteadyShot sensor-shift image stabilization system, three frames per second continuous shooting, Sony's Dynamic Range Optimizer (DRO) and a 2.7 inch 230,000 pixel LCD monitor for $700 with 18-70 mm kit lens. For any details look through Sony A200 vs Pentax K200 or Nikon D60 – what’s new in Sony’s SLR.
The Pentax K200D offers a host of user-friendly features and sophisticated functions such as weather-sealed body, CCD-based anti-shake and dust removal. This SLR has the same APS-C sized (23.5 x 15.7 mm) sensor with 10.2 million sensor photo detectors. For more: Pentax K200D vs Sony A200 / A300; Weather resist SLR vs. Live-View.
As for well-known Canon Digital Rebel Xti (EOS 400D), the 22.2 x 14.8 mm CMOS nine-point AF sensor from the EOS 30D, a new dust removal system which includes anti-static surface coatings, low-pass filter vibration and software based dust pattern removal are not many impressive than an anti-dust system that incorporates a self-cleaning sensor unit that shakes off dust, coupled with an airflow system designed to channel dust away from the D60’s sensor.
As for Olympus SLRs, it's better to look through Compare digital SLR cameras: Olympus E-1, E-400 vs. Nikon D80, D40x or Pentax K10D; 4/3” sensor rules in Pro hands.
Nikon D60 main features
Let’s look through D60’s cool features.
- 10 megapixel 23.6 x 15.8 mm sensor, Nikon DX format CCD (1.5x FOV crop)
- Nikon EXPEED* image-processing concept such as D300 and D3
- 12-bit A/D converter
- 3D Color Matrix Metering II, 420 pixel sensor
- Multi-CAM530 three-area AF sensor
- New Image sensor cleaning system
- Eye sensor, which turns off LCD display
- ISO sensitivity range 100 - 1600 plus HI 1; 3200 equiv
- 3.0 fps continuous shooting (slower with noise reduction enabled), unlimited in JPEG
- Large 2.5" 230,000 pixel LCD monitor with help suggestions
- Short shutter lag and viewfinder blackout
- Support for SDHC (SD cards over 2 GB in capacity)
- In-camera retouching
- USB 2.0 with PTP and Mass Storage device support
* The Nikon D60 uses EXPEED technology to maximize image quality and processing speed. These features designed to allow the optimisation and adjustment of images without the need for a computer. Image optimisation is achieved through functions like Active D-Lighting, which compensates for strong shadows, and the automatic correction of false eye colour when using the built-in flash. Creative features include the automated creation of stop-motion animation files from a sequence of images, and effects that simulate the use of optical filters to produce colour shading and sparkling highlights.
Nikon D60 differences from the D40x
- Image sensor-cleaning system
- Airflow control system
- Automatic defeat via Eye Sensor
- Automatically rotating user interface for using vertically orientated camera
- Stop motion movie playback function
- New stabilized kit lens AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR
- Active D-Lighting with dedicated button
- In-camera Raw processing
- JPEG retouches effects
Nikon D60 specifications
- 23.6 x 15.8mm CCD sensor
- 10.2 million effective, 10.8 million total pixels
- 3872 x 2592 -- Large, 10.0 MP; 2896 x 1944 -- Medium, 5.6 MP; 1936 x 1296 -- Small, 2.5 MP image sizes
- Equivalent in 35mm (135) format is approx. 1.5X lens focal length
- Eye-level penta-prism mirror single-lens reflex viewfinder
- 3 frames per second continuous shooting speed at full resolution
- 2.5" TFT LCD 230,000 pixel
- Combined mechanical and CCD electronic shutter 30 to 1/4000 sec (1/3 EV steps)
- USB 2.0 (Hi-Speed), Mass storage / PTP selectable, Video out, DC-IN (optional AC adapter) connectivity
- Nikon F mount lenses: AF-S and AF-I NIKKOR: All functions supported; Type G or D AF NIKKOR not equipped with an autofocus motor: All functions supported except autofocus; Type G or D AF NIKKOR not equipped with an autofocus motor: All functions supported except autofocus; IX-NIKKOR and AF-NIKKOR for F3AF not supported; Type D PC NIKKOR: All functions supported except some shooting modes
- Dimensions: 126 x 94 x 64 mm (5.0 x 3.7 x 2.5 in)
- Weight (no/inc. batt) 471 g (1.0 lb)/ 522 g (1.2 lb)
- Optional Accessories: ML-L3 Wireless Remote Control, Capture NX, Camera Control Pro 2, EP-5AC Adapter Connector, EH-5a AC Adapter, EG-D100Video Cable, CF-DC1 Semi-Soft Case, Speedlight SB-800, SB-600, SB-400, R1C1
- Supplied Accessories: EN-EL9 Rechargeable Li-ion Battery, MH-23 Quick Charger, UC-E4 USB Cable , DK-20 Rubber Eyecup, AN-DC1 Camera Strap, BF-1A Body Cap, DK-5 Eyepiece Cap, BS-1 Accessory Shoe Cover, Software Suite CD-ROM
Nikon D60 pros and cons
Of course, none of this information can give a full view on the Nikon D60. However, there are some pros and cons, whith can be usefull for buyers.
Pros:
- This is Nikon’s cheapest DSLR
- This is a Nikon camera that is a pleasure to use
- A very good kit lens
- Effective image stabilisation system
- Hight image quality with good sharp and contrast
Cons:
- No focus drive in a camera body as in case of the D40/D40x
- No exposure and white balance bracketing
Conclusion
First of all the D60 is a Nikon with its high quality of work, excellent ergonomics, lightweight body and great quality images. Sure, the Nikkor range of auto-focus lenses available for this camera is limited. However, 18-55 mm and 55-200 mm twin lens kit is more than enough for a majority of photographers. At the same time, there are many new lenses with in built focus motors from Sigma, Tamron etc. As for comparison with the Canon Xti (Canon EOS400/XTi, Nikon D40x and Pentax K10 pros& cons; SLR over SLR-like triple benefits), Pentax K200, Sony A200 and Olympus E510, all of these 10MP cameras have its own pros and cons, different prices and different lenses. For making a right choise, it is better to get acqainted with these Digital SLR cameras by youself. For it bother all salesmen you can rich. Let you trouble be their trouble.

Casio Exilim EX-F1 as fastest digital SLR-like camera with CMOS sensor, better than Canon S5 and Panasonic TZ3

After SONY’s great ultra zoom camera – DSC-R1, the new Casio EXILIM Pro EX-F1 is the next SLR-like camera with CMOS sensor. However, good guys from Casio made a clever step with this gadget. They do not want to run for useless mega pixels and put 6.6 million total pixels into 1/1.8 inch sensor. As a result, the Casio EX-F1 can shoot at an ultra fast speed - 60 frames per second.
Casio EX-F1 features
Let us look around Exilim EX-F1 features for better understanding, how this gadget can shoot speedy than a digital SLR camera. For more details look through Choosing a Digital SLR: Nikon D40s vs D300 or maybe FinePix S8000 vs Fujifilm S5 IS Pro.
6.6 Mega pixels with 12X Optical zoom
The EXILIM Pro EX-F1 incorporates a new high-speed CMOS sensor and high-speed LSI processor. After building in 6.0 million effective pixels and a 12X optical zoom, the developers focused on achieving a burst shooting speed capability that was hitherto unheard of. Using the camera ultra-high speed burst shooting for still images or its high speed movie recording mode, users can capture a split second’s movement with greater detail than before, allowing them to catch each decisive moment, and even motion that the human eye cannot ordinarily perceive.
60 fps - Burst Mode
Using the still image burst mode, users can shoot at an ultra fast 60 frames per second. In burst mode, the frame rate can also be varied from between 1 and 60 frames per second while shooting. Up to 60 shots can be taken at once, so 60 shots per second for one second, or five shots per second for 12 seconds, are possible.
Pre-record Still Images
Users can record images not just at the instant they press the shutter button, but before. Continuously recording at up to 60 images per second, a maximum of 60 images can be saved in the camera’s own buffer memory even before the shutter button is depressed. Even if users press the shutter a little late, they will still be able to catch that vital moment.
Slow Motion View
Users can take photographs while, in the monitor, the momentary action that is before their eyes is displayed in slow motion. It is just as if they have slowed down the passing of time. Users can unhurriedly observe the motion of the subject as they press the shutter, ensuring that they never miss that crucial moment.
Rapid Flash
It is possible while using flash to take up to 20 continuous shots at a speed of up to 7 frames per second, so even in low light, no more missed shots. In addition, the internal LED light allows high-speed burst shooting at between 10 and 60 frames per second.
High Speed Movie Recording Up To 1,200 fps
The EXILIM Pro EX-F1 can record high-speed movie footage of motion too fast for the human eye, for ultra slow motion playback. Users can select a recording speed of 300 fps, 600 fps or 1,200 fps. In addition, a Movie Button lets users quickly start movie recording without first switching from still image mode.
Full HD Movies
The camera features Full High-Definition movie recording capability. Users can record beautiful movies at a screen size of 1920 x 1080 pixels, at a rate of 60 fps. The Casio EX-F1 can be connected to an HD compatible television with a separately available HDMI cable to enjoy viewing movies.
Casio EXILIM Pro EX-F1 specifications
- Sensor: 1/1.8-inch high-speed CMOS Type CCD
- Pixels: 6.6 million total; 6.0 million effective
- Image sizes: 2816 x 2112, 2816 x 1872 (3:2), 2816 x 1586 (16:9), 2304 x 1728, 2048 x 1536, 1600 x 1200, 640 x 480
- STD Movies: 640 × 480 (30 fps)
- HD Movies: 1920 × 1080 (FHD HQ/FHD Normal, 60 fields per second), 1280 × 720 (HD LP, 30 fps)
- Hi-Speed Movies: 512 × 384 (300 fps), 432 × 192 (600 fps), 336 × 96 (1200 fps)
- File formats: Still: RAW (DNG 1), JPEG (Exif Version 2.2), DCF 1.0 standard, DPOF compliant; Movie: MOV format, H.264/AVC, IMA-ADPCM (stereo)
- Lens: 12 lenses in 9 groups, including aspherical lens Approx. 36 to 432mm 35mm equiv. (12x Zoom) F2.7 (W) to 4.6 (T)
- Image stabilization: Sensor-shift
- Operating Speed: High-speed Continuous Shutter: Maximum is 60 frames per second; Flash Continuous Shutter: Maximum is 7 frames per second
- 2.8-inch wide TFT color LCD (Super Clear LCD), 230,160 dots (959 × 240)
- USB/AV port, HDMI Mini Connector (output), hot shoe, external microphone jack, AC adaptor connection (DC-IN); USB : Hi-Speed USB
- Weight (no batt) 671g
- Dimensions 127.7 (W) x 79.6 (H) x 130.1 (D)mm
Casio EX-F1 pros and cons
Good
- Full resolution at 60 fps
- Hot shoe
- RAW format
- External mic jack
Bad
- The price at $999 is an excess for SLR-like ultra-zoom cameras
- Mono speaker
- Longest menus ever
- No optical image stabilization in Movie mode
Conclusion
In my opinion, Casio can make much more interesting SLR-like camera than Canon S5 IS or Panasonic Lumix DMC-TZ3. For more details look through Compare digital SLR-like cameras: from Canon S5, Olympus SP 560 and Sony H3, H9 to Panasonic FZ18 and Fujifilm S8000. What is more, the Casio EXILIM Pro EX-F1 is a right choice for those, who need fast digital camera for pets, kids and sport shooting. Moreover, this gadget is not bad for those, who do not want to busy oneself with huge SLR cameras and swapping lenses. There is just one trouble: the Casio EX-F1 costs much more than the Canon S5 IS or even great Fujifilm S9600. However, I hope that declared price about $1000 should be reduced. Or else this gadget cannot be attractive for consumers.

Aiptek A-HD and GO-HD camcorders as the best choice for MySpace or YouTube

Looking to the Aiptek GO-HD or A-HD it is a little hard to compare these small HD camcorders with some excellent gadgets such as Canon NV20, Panasonic SD1 or Sony CR7. However, even in comparison with Sanyo Xacti family as HD1 and HD2, the Aiptek GO-HD performs good movie quality, especially in low light situations. Though Sanyo HD1 or HD2 and Aiptek GO-HD and A-HD are similar gadgets, it is wrong to call Aiptek cams as a ‘knock-off’ of Sanyo HD camcorders. For more look through: Aiptek GO-HD vs Sanyo Xacti VPC-HD1 or HD2.
Aiptek HD: $170 for 720P high definition video
The Aiptek GO-HD and A-HD uses a H.264 compression to achieve a 4.5 Mbps data rate, whereas the VPC-HD2 uses a MPEG4 compression to achieve a 9 Mbps data rate. The H.264 compression is much more computationally intensive than MPEG4 compression, so there must be something fundamentally different about these two camcorders. As for image quality, even though the Go-HD has half the data rate of the VPC-HD2, there are many users’ suggestions that the Aiptek Go-HD has an edge over the VPC-HD2. This fact with Aiptek’s very attractive prices makes the GO-HD for $250 and A-HD for $170 good value for money. For more details look through 12 main points for clever HD camcorder choosing.
Aiptek GO-HD key features
- 5 mega pixels CMOS sensor
- 3x Optical Zoom with Auto Focus
- 2.4" TFT rotational Color LCD Display
- 2-inch Macro Zoom for capturing 5cm close-up pictures or video clips
- Built-in LED lights for video recording in dark and low light situations
- Recharge Battery via USB, no need to remove battery from camera
- HDTV Component Output
- Removable Hard Disk and SD/MMC Card Reader
Aiptek GO-HD specifications
The GO-HD comprises 1280x720 resolution, 16:9 aspect ratio at 30 fps using advanced H.264 technology. With a 3-x Optical Zoom and Auto-Focus, it can capture not bad quality movie.
- 3-x Optical Zoom lens, 7.5-21.5mm, F 3.6-6.7
- Movie Mode: 1280 x 720 Pixels (H.264) 30 fps, 720 x 480 Pixels (D1) 30 fps, 352 x 240 Pixels (CIF) 30 fps
- MOV Video Format
- Still Images: 2560 x 1920 pixels 5MP, 2048 x 1536 pixels 3MP
- Macro Mode: 5-30cm (at 1x fixed zoom)
- Normal Mode: 30cm - infinity
- LCD Display: 2.4” TFT Panel with 270° Rotation
- External Memory: SD Card Slot (256MB - 8GB)
- TV Out: HDTV (Component Out) NTSC/PAL Color System Supported
- Interface USB2.0
- Battery NP-60 1000mA Li-Ion battery
Aiptek GO-HD pros and cons
Pros:
- Low light video
- Sharp panoramic video
- Video light in addition to flash
- Remote with all options (record video, take picture, zoom, and navigate all menus)
- Good Macro mode
- Tripod mount is right below the lens, which is good for photo stitching
Cons:
- Zooming is loud with noticeable motor noise
- Audio is mono
- Cheap feeling
- Poor menu
- Complicated photo/video review (takes a couple of button click to go back and view recently taken footage)
- Battery goes down while it synchronize SD card
- No sequential action snapshot mode
- Can't lock focus and no manual focus
- Grip is awkward and difficult to hold and press buttons
- Date Time setting keeps be reset
- No Lens cover
Of course, the Aiptek GO-HD may not meet the needs of the prosumer enthusiast. However, as an inexpensive digital HD camcorder, which can takes still pictures and has a good 30 fps high definition movie mode, it is a very interesting gadget. For more details look through: Puppet Sanyo Xacti HD2 vs clever Canon HV20 or groovy JVC GZ-HD7: it's time to buy a HD-camcorder or wait?.
Aiptek A-HD key features
The A-HD performs 720P high definition video quality to provide a completely new high quality DV experience. One-touch recording allows you to capture stunning HD 1280 x 720 - 16:9 aspect ratio video clips at 30 frames per second with advanced H.264 technology. The Aiptek A-HD allows using up to 8GB of SD card storage to record longer video before having to upload to PC.
- 5 Mega-Pixel CMOS (2592 x 1944) sensor, up to 8MP with still images
- 2-x Digital Zoom
- AV-IN, Record at 720 x 480 (D1) for connecting to TV/VCR/DVD player to record video clips, pictures, and audio recordings
- HDTV Component Output
- Recharge Battery via USB, no need to remove battery from camera
Aiptek A-HD specifications
- Still Image 3200 x 2400 pixels (8MP), 2560 x 1920 pixels (5MP), and 2048 x 1536 pixels (3MP)
- Movie Mode: 1280 x 720 pixels (H.264) 30 fps, 720 x 480 pixels (D1) 30 fps, 352 x 240 Pixels (CIF) 30 fps
- MOV Video Format
- Macro Mode: 30-50cm
- Normal Mode: 50cm - infinity
- 2.4” TFT Panel with 270° Rotation
- Internal Memory: 6MB
- External Memory: SD Card Slot (256MB - 8GB)
- TV Out HDTV (Component Out) NTSC/PAL Color System Supported
- Interface USB2.0
- Battery NP-60 1000mA Li-Ion battery
- 2GB SD Card allows recording 60 min HD 1280 x 720 movie at 30fps
Conclusion
The Aiptek GO-HD and A-HD are not prosumer cameras such as Sony Handycam HDR-CX7 or Panasonic HDC DX1 / SD1, but they are great for carrying around all the time in a pocket like the Sanyo HD2. Moreover, for $170-250 instead of $800-1000 for CX7 and HDC-SD1, these gadgets can be really useful in some exotic situations, especially when a monkey mixes up your camcorder with a banana. Of course, these HD camcorders look like Christmas toys, but I will be glad to get one of them as a Christmas gift. As for ‘Youtubers’ and ‘Myspacers’, Aiptek GO-HD and A-HD may be not the best, but a cheap and good HD camcorder’s choice.

Panasonic DMC TZ3 vs Canon SX100 or Sony H3: the best Travel Zoom for $220

Four models present the new digital compact camera type – the Travel Zoom: the Canon Powershot SX100, the Sony DSC-H3, Panasonic DMC-TZ2 and Lumix TZ3. This camera type is a compromise between SLR-like cameras with a big optical zoom as Canon S5 or FujiFilm S8000 and compacts as PowerShot A-series or Fujifilm F40 – F50fd. Travel Zoom cameras have the same small 1/2.5 – 1/2.33” sensors. However, their 10-x zoom lens is hiding into the body; it makes this camera type handy, especially for travelers.
For more details look through: Compare 10x SLR-likes: Sony DSC-H3, Panasonic TZ2 vs Canon SX100.
Panasonic DMC-TZ3 best features
Panasonic’s new DMC-TZ2 and DMC-TZ3 are the latest models of the Lumix TZ family of digital cameras, which is renowned for packaging a remarkable 10x optical zoom in a compact pocket body. I already compared the Panasonic TZ2 with the Canon SX100 and the Sony DSC-H3. However, the Lumix TZ2 with a small 6MP resolution sensor is hardly preferred to 8.1MP Sony H-3 and 8.3MP Canon SX100. At that time, the Panasonic TZ3 with 7.2MP sensor and most tight body is a prepotent rival. Try to put the Canon SX100 into your jeans pocket. In that case, the TZ3 looks much more preferable. For more ultra zoom cameras look through: Compare digital SLR-like cameras: from Canon S5, Olympus SP 560 and Sony H3, H9 to Panasonic FZ18 and Fujifilm S8000.
Panasonic TZ3 key features
- 1/2.35 inch sensor with 7.2MP, 8.5 million photo detectors
- 10x optical zoom 28-280mm (35mm equiv) Leica lens
- 4-x digital zoom
- Extra optical zoom (4:3: 12x for 5MP, 15x for 3, 2, 1, 0.3MP, 3:2: 12.6x for 4.5MP, 15x for 2.5MP, 16:9: 13x for 3.5MP, 15x for 2MP)
- 3-inch 230,000 pixels LCD monitor
- MEGA O.I.S. Optical Image Stabilizer
- ISO from 100-1,250 with ISO 3,200 Intelligent ISO Mode
- Automatic exposure
- Twenty scene modes
- Live Histogram
- Aspect ratio options
- White Balance fine-tuning feature
- Built-in flash with red-eye reduction
- Dual image display in playback
- 848 x 480 30 fps Movie mode
- Clipboard function for photographing maps, travel material
- Special Baby Scene Modes, Underwater Scene Mode/Optional underwater housing
- Shutter speed from 60 sec - 1/2,000 sec
- SD, SDHC, MMC compatible
- 13MB internal memory
- USB full speed connection
- Rechargeable Lithium battery and charger included
Some Lumix TZ3 differences from TZ2
Sensor: 1/2.35 " Type CCD, 8.50 million pixels total, 7.2 million effective pixels instead of 1/2.33 " Type CCD, 7.39 million pixels total, 6.0 million effective pixels
Max resolution: 3072 x 2304 instead of 2816 x 2112
Exposure bracketing: +/- 1/3 EV -1EV step, 3 frames
Continuous shooting: Full-Resolution Image, 3 frames/sec or 2 frames/sec
LCD: 3.0-inch 230,000 pixels Polycrystalline TFT instead of 2.5-inch 207,000 pixels
Weight (no batt): 232 g (0.51lb) instead of 222 g (0.49lb)
Dimensions: the same 105 x 59.2 x 36.7 mm (4.20 x 2.37 x 1.47 in)
Panasonic DMC-TZ3 pros and cons
Pros:
- 10x optical zoom with true 28mm wide angle
- Almost distortion-free lens
- Compact body for 10-x optical zoom camera
- Optical image stabilization
- Large high-resolution 3-inch LCD screen
- Easy to use, well-build pocket camera
- Simple mode for handing the camera off to the less experienced in the family
- Ability to limit ISO in Auto and Intelligent ISO
- Good Automatic White Balance
- Fast startup for a long zoom
- Not bad shutter lag
- Blazing shutter response with pre-focus
- 20 Scene Modes
- Special underwater housing
Cons:
- Anti-noise processing muddles detail, especially in reds
- Difficult LCD using in bright light
- High contrast in harsh outdoor images
- Limited low-light abilities
- Flash coverage is uneven at wide angle, and insufficient at telephoto
- Only average transfer speed
- Tripod mount at one corner is awkward
- Battery life could have been better.
- Lens cover seems flimsy.
- Lens thread to attach filters would have been nice
- Has a tendency to underexpose (use exposure compensation)
- Gets noisy at ISO400
- No ISO below 100
- Not zooming in Movie mode
Canon PowerShot SX100 key features
- 8.0MP 1/2.5 inch CCD, delivering image resolutions 3,264 x 2,448 pixels
- 10x zoom 36-360mm lens (35mm equiv)
- 2.5-inch 172,000 pixels flip-out and twist LCD display
- Optical image stabilization
- Manual focus mode with enlargement of focus area
- Face Detection
- Macro (close-up) lens adjustment
- 640 x 480 30 fps Movie mode
- Shutter speeds from 1/2,500 to 15 sec
- Automatic, Program, Aperture Priority, Shutter Priority, and Manual exposure modes
- Built-in flash with five modes plus an intensity adjustment
- Auto or High-Auto ISO setting or 80, 100, 200, 400, 800, and 1,600, ISO equivalents
- Safety Manual Focus mode
- White balance adjustment with seven options
- Flash exposure compensation
- Safety flash exposure mode adjusts shutter speed / aperture to prevent blowouts
- Safety-shift function prevents poor exposures in shutter / aperture priority modes
- Auto ISO shift adjusts ISO sensitivity to prevent camera shake, with manual override possible
- Spot, Center-Weighted, and Evaluative Metering modes
- 1.3 fps Continuous Drive with two continuous shooting modes
- Long exposure (1.3+ sec) noise reduction
- Auto-Exposure and Flash-Exposure Lock
- SD/SDHC/MMC card (16MB SD card included)
- USB 2.0 computer connection
- Weight (inc. batteries) 316 g (11.1 oz)
- Dimensions 109 x 71 x 47 mm (4.3 x 2.8 x 1.9 in)
Canon SX100 pros and cons
Pros:
- Excellent Canon’s 10-x zoom lens with minimal lens distortion
- Good Optical image stabilization
- Face Detection AF / AE
- Accurate exposure metering
- Useful ISO range from 80 to 1,600
- Full manual exposure control
- Useful flip out and twist LCD
- Not bad low light performance
- Good macro mode
- Not so big shutter lag time
- Excellent battery life NiMH rechargeable
Cons:
- Not a pocket size
- Some chromatic aberrations
- A little under saturated images
- High contrast in harsh lighting
- Big shutter lag time with using a flash
Conclusion
In comparison with the Canon S5 IS the PowerShot SX100 with the same 1/2.5 inch sensor and practically the same image quality but not the same (a little cheaper) price at $240-260, the Panasonic TZ3 looks good. For more look at: Canon SX100 IS as a Powershot S5 IS killer. However, the SX100 is not a pocket camera (if you do not prefer a working or farmer clothes). In addition, the Panasonic TZ3 with a smaller body but a bigger sensor and price at $220-250 can be the best choice. Especially if you do not demand an outstanding image quality from a Travel Zoom, this camera is good value for money.

Fujifilm S8000 vs S700, S9600 or F40: Great zoom for SLR-like, great sensor for Compact

Fuji Film digital camera guide can surprise any photographer with its features distribution. The small FinePix F40 has 1/1.6” Fujifilm SuperCCD HR sensor, whereas the cool 18x Fujifilm F8000 is satisfied with 1/2.35” ordinary chip. The groovy S9600 (with SuperCCD HR sensor) has not only a low light, still an infrared shooting advantage (in case of FinePix IS-1, look at this post), but it is content without an optical image stabilizer. As for Fujifilm digital SLR – the IS Pro and S5 Pro, there is 6MP 23 x 15.5 mm sensor, but with 12.3 million sensor photo detectors.
Finepix S8000 key features
I have already written about S8000 in my previous post. Like the Olympus SP-560 UZ and the Panasonic Lumix DMC-FZ18, the Fujifilm S8000fd is an ultra-long zoom with an 18x optical zoom range and a small 1/2.35 instead of 1/2.5” 8.0-megapixel sensor. However, Fujfilm has added a lot of value to the ultra long zoom with the FinePix S8000. As a result, the S8000fd with a little bigger sensor, very quick pre-focus shutter lag, and comfortable grip and especially with Fujinon’s Wide Angle Optical Zoom lens, looks prettier than the Olympus SP 560 and the Panasonic FZ18. Still taking into consideration my 18-x scepsis to using this telescope in a digital camera, I am trying to compare it with 10-x zoom cameras as the Fujifilm S9600 or the Fujifilm S5700. Let’s run through its advantages.
Fujifilm S8000 features
- 8-megapixel 1/2.35 " CCD
- 18x optical zoom Fujinon 27-486mm 35mm equivalent lens
- Max Aperture f/2.8 at wide-angle, f/4.5 a telephoto
- 5.1x digital zoom
- EVF viewfinder and 2.5-inch LCD with 230,000 pixels
- Shutter speeds from 4 seconds to 1/2,000 second
- Dual Image Stabilization uses a CCD shift mechanism and high sensitivity
- Compact body with ergonomic grip
- Programmed AE, Aperture Priority AE, Shutter Priority AE, Manual exposure modes
- Scene modes: Portrait, Landscape, Sport, Night, Fireworks, Sunset, Snow, Beach, Museum, Party, Flower, Text, Auction
- Fujifilm's Face detection technology adjust focus and exposure
- Ultra High Sensitivity ISO from 64 to 6,400
- 58MB internal memory
- Dual memory card formats SDHC/SD/xD support
- Focusing modes include Normal (to 2.3 feet), Macro (to 0.3 feet) and Super Macro (to four inches)
- Continuous shooting options include Top 3, Long Period, Top 15 High Speed, and Top 15 Ultra High Speed
- White balance options include Auto, Preset (Fine, Shade, Fluorescent light (Daylight), Fluorescent light (Warm White), Fluorescent light (Cool White), Incandescent light), and Custom
- Live histogram
- USB Full Speed interface
- Four AA batteries for power
Fujifilm S8000 pros and cons
Pros:
- Powerful 18x optical zoom
- Dual Image Stabilization system with optical and digital image stabilization
- 1/2.35” 8MP sensor
- Fast Fujifilm face detection technology also sets exposure and flash
- High resolution 2.5-inch LCD
- Sharp and clear electronic viewfinder
- Natural Light and Natural Light with Flash shooting modes
- Two Scene mode options on the Mode dial with user-settable defaults
- Short pre-focus shutter lag
- Good Super Macro mode
- Excellent low light focusing without assist lamp
- Good battery life from AA batteries
Cons:
- High distortion and chromatic aberration as a result of the 18-x long-zoom lens, which is a little higher than average
- Corners are soft at telephoto
- Noisy images above ISO 400, blurred by heavy noise reduction
- No RAW mode
- Stiff control buttons
- Wobbly battery compartment door is hard to close
- MMC card is not supported
- High-speed burst modes record only reduced resolution images
- Warm and pinkish indoors auto white balance
- Poor printed results at mid to high ISO with oversaturated color
Fujifilm S700 / S5700 key features
The Fujifilm FinePix S700 / S5700 is the cheapest long-zoom digital camera model, and has the same features and options as the previous Fujifilm S5600. So not surprisingly it has many of the same controls. Its features include dual media slots (Secure Digital / MultiMediaCard and xD-Picture Card), 27MB internal memory, a 0.24" electronic viewfinder with a high 230,000-pixel resolution, and a 2.5" LCD display with the same resolution. In comparison with the S8000, the Fujifilm S700 has a smaller sensor size and does not have an optical image stabilizer. With regard to using a long 10-x zoom lens, this feature would be not superfluous. However, what do you want from $180’s camera.
FujiFilm S5700 / S700 features
- 7.1 mega pixels 1/2.5” sensor
- 10-x optical zoom 38-380mm F3.5 - F13.6 / 7 Fujinon lens
- 2.5” 230.000 pixels LCD
- Shutter speeds from 1 seconds to 1/1,000 second
- 27 MB internal memory
- 640 x 480, 30 fps movie mode
- xD Picture Card
- Weight (inc. batteries) 406 g (14.3 oz)
- Dimensions 106 x 76 x 81 mm (4.2 x 3 x 3.2 in)
- AA (4) batteries
Fujifilm S700 pros and cons
Pros:
- Not bad photo quality, low noise through ISO 400
- Good value for the price ($180-200)
- 10X optical zoom
- Solid, well-build body, fantastic handling
- Large 2.5" LCD display with a high resolution and a fluid frame rate and good visibility
- Good EVF 230,000 pixels with fast refresh rate 60fps
- AF-assist lamp, good (but slow) low light focusing
- Dual xD/SD memory card slot
- Full manual controls
- 640 x 480 30 fps movie mode
- Can use optical zoom and digital image stabilization in movie mode
- Histogram on manual record mode and play
- Macro and super-macro settings are very good
- Great battery life - 600 shots on a charge; uses AA batteries
Cons:
- Some corner blurriness, blown highlights
- Purple fringing is evident in nearly every shot, and at its worst in any images that are even vaguely "contrast"
- Trouble with Redeye correction
- Lens is slow at the wide-angle
- No optical image stabilizer
- Disappointing continuous shooting mode
- Sluggish shot-to-shot and image playback speed
- Poorly implemented manual focus feature
- Small electronic viewfinder
- Plastic tripod mount
- No USB 2.0 High Speed support
Conclusion
Of course, it is a bad idea to compare these SLR-like cameras. With their prices at $320-350 for the S8000 and $180-200 for the S700, with their 18-x instead of 10-x zoom lenses, they are at different camera levels. However, there is one more thing (first is the mfr) which unites the Fujifilm S8000 and the S700. These two are an amazing bargain in comparison with their SLR-like camera levels. Let the S8000 have a little smaller sensor and a little better lens, than the Olympus SP-560 or the Panasonic FZ18. Nevertheless, this 'a little' makes the Fujifilm S8000 as the best 18-x zoom digital camera. For more details look through Compare Fujifilm S8000, Olympus SP550, Panasonic FZ18 - nothing to S9100. Let the Fujifilm S700 have no optical image stabilizer. The great and expensive Fuji’s SLR-like camera – S9600 / IS-1 does not have it too. Instead, it has the same as Canon Powershot S5 or the Panasonic Lumix DMC-FZ8 1/2.5” sensor for its funny $180. As for 10-x zoom instead of 12-x, it is not such a big difference.
Apropos, the FujiFilm F40fd with its large sensor, great image quality, good small body and attractive price is a bargain too. Special thanks for FujiFilm.
As for another SLR-like cameras, look through: Compare digital SLR-like cameras: from Canon S5, Olympus SP 560 and Sony H3, H9 to Panasonic FZ18 and Fujifilm S8000.

Fujifilm F40fd vs FinePix F50fd, Canon IXUS 960 and PowerShot G9: no more expensive mega pixels for a Compact

It is quite enough to look at some digital cameras, as the FinePix IS Pro, S700, IS-1, S9600 or an excellent digital SLR – FinePix S5 Pro so as to understand that Fujifilm is a great digital cameras manufacturer. Fujifilm camera’s color rendering favorably differ FinePix photo cameras from many others. This is an advantage of FujiFilm firm’s Super CCD HR image sensor. Unfortunately, this sensor is not the rule for all FinePix cameras.
The FinePix F40fd - to carry 1/1.6” sensor under one's heart
In my opinion, the Fujifilm F40fd is the best digital camera not only in Fuji’s F-series, but also in comparison with groovy S8000, F40 with its 1/1.6” sensor can produce a better image quality. As for FinePix F50fd, I already wrote that useless 12MP resolution makes this gadget a bit expensive while its images a little noisy. For more look through: Fujifilm F50fd vs FinePix S5 IS Pro: 12MP from digital compact it’s not the same as 12MP from SLR. Whatever advertising saying, the FinePix F40 is most successful digital compact more than the F50fd, and some Canon PowerShot great models as SD950, G9, SD870 or Nikon P5100. For any details look at: Compare digital compact cameras: from Canon A630 / G7 and Nikon P5000 to Canon G9 / A650 and Nikon P5100. Thanks for a good feature set for a fair $200 price.
Fujifilm F40fd key features
- 8.3 million pixels 1/1.6 inch Super CCD HR VI sensor
- Fujinon 3x optical zoom lens, F2.8-5.1, Equivalent to 36 - 108 mm on a 35 mm camera
- Face Detection Technology built-in to the camera’s processor
- Real Photo Processor II
- ISO 2000 sensitivity at full resolution (1600 selectable)
- Long-life battery (up to 300 shots)
- IR Communication (IR simple)
- VGA movie capture of 30 frames per second with sound
- Weight (inc. batteries) 181 g (6.4 oz)
- Dimensions 96 x 59 x 23 mm (3.8 x 2.3 x 0.9 in)
Fuji Film advanced technology
Fujifilm Real Photo Technology brings together CCD, processor and lens to deliver images of optimum quality that are rich in color, detail and sharpness and low in noise. Fuji film’s proprietary Super CCD HR VI is a unique octagonal shape, which means it has a larger surface area than traditional sensors, making it more sensitive to light. This gives Fuji film’s FinePix cameras their unique High ISO sensitivity ratings. It also means that faster shutter speeds can be used to capture images; combating image blur. The design of the Super CCD also makes it less prone to noise; the grainy, speckled effect that can occur, especially at higher ISO settings. The FinePix F40fd achieves ISO 2000 (1600 selectable) at full resolution, which means there is no trade off between ISO setting and image sharpness, or the size of the print that can be made.
The RP Processor II featured on the FinePix F40fd features double noise reduction. It has proven capability of delivering images with significantly less noise than some competing models at a lower ISO. Furthermore, Fuji film’s Fujinon lenses are the product of over seven decades’ R&D into lens technology; completing the triangle of lens, CCD and processor all optimized to work in harmony together. The result is photographs of unrivalled quality no matter what the subject or level of light.
Fujifilm F40fd pros and cons
Pros:
- Large 1/1.6” sensor, a little larger than S8000
- Face detection
- IrSimple concept is cool
- Fair $200 price
- 300-shot rechargeable battery
- xD and SD compatibility
- Sharp lens
- Low noise
- Subcompact size
- Great indoor pictures in low light
- Great high ISO capability
Cons:
- Ugly primitive menus
- Short 3-x lens
- Poor color performance
- Limited dynamic range
- Poor handling
- Slow, short burst mode
- IrSimple wireless impractical
- There are no Av or TV settings
- No optical viewfinder
FinePix F40fd user’s opinion
This F40fd is a beauty, nice looking and make excellent or very good vivid pictures, also at low light with 100, 200, 400 ISO's and without PP ready for big prints. The F40fd at less than $200 is a great value for money. IQ for shooting up to ISO 400 (handheld) at low light condition is acceptable. SD compatibility is a bonus. Colors are bright, particularly at the Landscape (blues and greens) and Portraits (sharp focus and good flash exposures) scenes. It has become a handy day-to-day or the second camera for advanced photographer.
Conclusion
The 8.3-megapixel Fujifilm F40fd has most useful resolution than others Fujifilm digital compacts. Moreover, in comparison with some Canon’s best cameras as PowerShot SD950, G9 and A640, the FinePix F40fd looks good. Its 1/1.6-inch sensor makes an excellent quality images and kept noise to a minimum and resolution to an optimum. At the same time, Canon with its new 1/1.7 inch 12MP sensor kept resolution to a maximum (4000 x 3000 pixels) but its noise is so far from an optimum. As for prices, $450 for the G9 or $350 for Canon A650 and SD950 are far from F40’ two hundred too. Look through: Canon PowerShot SD850 IS vs. SD950 IS or Canon Powershot G9, SD950 and A650. Finepix F40 has sharply focused and properly exposed pictures, thanks to Fuji’s Face Detection system and the vast ISO range. Unfortunately, the F40fd does not have a manual control or even a decent burst mode and its 3x zoom is very short, but it will suffice for consumers who want an automatic point-and-shoot to snap great pictures. With its price under $200, the Fujifilm F40fd can become the best choice as a Digital Compact.

Compare digital SLR cameras: Olympus E-1, E-400 vs. Nikon D80, D40x or Pentax K10D; 4/3” sensor rules in Pro hands

I have already written that the Olympus SLR camera’s guide is not preferable over using a small 4/3 " (18.00 x 13.50 mm) sensor size. However, engineer’s opinion, which based only on physical properties, can be wrong in comparison with photographer’s opinion, which is based on his one's talent and personal experience. Moreover, collecting information about Olympus SLR lenses, I was envious of a great Olympus ZUIKO high quality lenses. For more about ZUIKO lenses look through Choosing digital SLR lenses: 28-75mm f2.8 vs 18-250mm f/3.5-6.3.
The Olympus SLR’s advantages: Pro photographer's personal experience
When I got a message from an Olympus SLR owner, where he preferred the E-1 and the E-400 to the Sony A100, Nikon D40 and even the Nikon D80, I was amazed. However, after viewing Gabriel Michel’s photos I see: this man knows beyond doubt about all of Olympus SLR’s advantages.
Look through Gabriel Michel article
In my opinion, to report from a camera we have to place it in the context, the experience. For what do we want to test this camera? I prefer to pick different shooting fields: sport, landscapes, street photography, portrait, studio and low light.
Sport photography:
The Olympus E-1 and E-400 suck because it has low continuous shooting (less than 3) and just 3 AF points. The E-1 is better than the E-400 because it can record 12 RAW images, thanks to its buffer. The E-3 is far different and can be considered, especially if you have some Olympus lenses.
Landscapes:
For this genre the Olympus E-1 has very good colors, excellent metering, but not so high dynamic range. However, the Olympus E-400 sucks. In my mind, only full frames or bigger sensors can record correctly landscapes. The difference between 4/3 and APS is not so important…but I prefer the Fuji S5 Pro for that photo field.
Street photography:
The Olympus E-1 is very good because sold with the very fast 14-54 (28-108mm) f/2.8-3.5. The shutter is one of the most silent I heard. It is well built and very solid. It is not afraid from the rain… The E-400 is also excellent because very small, light weighted but solid built, and can shoot at mid-high ISO. With a Zuiko OM lens (50 1.8 or 1.4 or 1.2, I will talk about the lenses later), the E-400 is even more small. The shutter is not as silent as the E-1s but it is not so bad.
Portrait:
The Olympus E-1 is good because its photosets are not small, and with a good lens (from Olympus of course ;-)), it's okay. Therefore, the portraits are sharp enough. Of course, the colors, skin tones are excellent. Olympus chose a great grey point to balance the colors; for me it is far better than the other brands. Be aware of its resolution, not more than 30 x 40 cm. The E-400 is just for beginners…as good as the Nikon D40x or the Canon EOS 400D thanks to its good kit lens.
Studio, for pro-use:
Unfortunately, the Olympus E-1's resolution sucks for big prints. E-400 can be okay but needs a pro lens. Be aware that the dynamic range is not as good as Nikon's…and not good at all.
Low Light:
In these situations the Olympus E-1 is bad, even with a fast lens, BUT, in a recent wedding (hey I'm a pro!) I had the Nikon D80 with its standard kit lens AND my Olympus E-1 with its "standard" kit lens; I had to shoot with my E-1 at ISO 800 and with the Nikon D80 at ISO 1600 in the church; the E-1's photos were less noisy but they had also less detail than the D80 ones. It is a question of choice… The E-400 is better than the E-1 at this point, but not as good as Canon, but not so different at Nikon D80/200, Pentax, and better than Sony Alpha 100 in my opinion.
The final very important thing about Olympus cameras are their versatility. Yeah you can mount Canon lenses, Nikon Lenses, M42 lenses, Zuiko OM lenses and some exotic ones! The 4/3 sensor permit that. In addition, the pictures with these lenses are often really good! For more info go to: http://www.wrotniak.net/photo/oly-e/index.html
http://www.biofos.com/
Verdict:
The Olympus E-1 is digital SLR camera for:
- Learning photography
- Semi-pros to junior pro
The Olympus E-400 is an SLR camera for:
- Street photography
- Beginners
- As a second body
As for me, the Olympus E-1 can be as interesting as…the Pentax K10D and the Nikon D80.
For me the E-400 is better than the Nikon D40x (except for dynamic range), the Pentax K100D Super (except for stabilization…), the Sony Alpha 100 (except for quality built) and the Canon EOS 400D (except for image quality).
To see Olympus photos go there: http://www.olympus-esystem.jp/gallery_e/
To look at some of my pix, it is here.
PostScript
Now I have a profound respect for any Olympus SLRs. It is necessary for me to look closely to Panasonic Lumix DMC-L10 and DMC-L1, which has the same as Olympus SLRs 4/3” sensor and an excellent Leica lenses. What is more, do not try to compare digital SLR cameras only by there physical properties. For more articles about digital SLR cameras comparison look through: Choosing a Digital SLR. In some situations the lens guide, lightweight or color rendering are much more important. In addition, the personal experience and talent allow the photographer much more than full frame sensor. Thanks for Gabriel Michel.